Posted inGame Tools
Microsoft shuts down the developers of South End and Little Lucky.
More than 90 staff reductions are expected.
Posted inGame Tools
Viet Nam’s mobile game was downloaded 4.9 billion times, with a target of $1 billion by 2030
Viet Nam has the second highest download of mobile games in the world, with about 95 per cent of downloads coming from international users.
Posted inGame Tools
The U.S. Patent and Trademark Office has denied Nintendo’s role call, and the phantom Paro tort is still pending.
The United States Patent and Trademark Office initially approved the Nintendo application in September 2025, but announced in November that it would be re-examined.
Posted inGame Tools
Global top-level hand-swap distributors over-reliance on applied store payments and DTC changes to re-share industry values Bureau
Appcharge published a new data report showing that the direct-to-consumer (DTC) model in mobile games has been decisively transformed from an experimental phase to a core income system.
Posted inGame Tools
The former SIE high-ranking Yoshida Shuhei said it was difficult to catch up with the pace of the Chinese game.
The former senior director of SIE (Sonny's Interactive Entertainment) and now head of the independent game company Yosp, Yoshida, participated for the first time in China's largest independent game fair, WePlay Expo 2025, and confessed to seeing "the evolution of the Chinese game industry."
Posted inGame Tools
The New York Times claims that Saudi Arabian sovereign funds are in short supply.
According to the New York Times, the Saudi Arabian Public Investment Fund (PIF), after the acquisition of EA, has begun to overstretch investment funds and to make new investments, partly because of some of the loss-making projects.
Posted inGame Tools
How can the national production drama make a new breakthrough in a secondary breakout?
It is only through a deep integration of IP, precision and localization that national production can truly emerge from the “subwall” and become an important pillar of the national theatre market.
Posted inGame Tools
How can the national production drama make a new breakthrough in a secondary breakout?
It is only through a deep integration of IP, precision and localization that national production can truly emerge from the “subwall” and become an important pillar of the national theatre market.
Posted inGame Tools
How can the national production drama make a new breakthrough in a secondary breakout?
It is only through a deep integration of IP, precision and localization that national production can truly emerge from the “subwall” and become an important pillar of the national theatre market.
Posted inGame Tools
How can the national production drama make a new breakthrough in a secondary breakout?
It is only through a deep integration of IP, precision and localization that national production can truly emerge from the “subwall” and become an important pillar of the national theatre market.